Karen Krolak (’18) has forged an interdisciplinary practice rooted not only by her primary medium of dance, but through the community she builds with others by making work that addresses grief and trauma, building awareness of these feelings that oft aren’t celebrated. While the complexities of these emotions stem from her own experience through her work they take on new form—like choreography, a publishing project, and the occasional knitting pattern—to allow others to connect to themselves, to find space to find validation and modes of expression alongside the artist. That mutual exchange is at the heart of Krolak’s work, which is often collaborative, and extends into her roles as a mentor, board member of organizations, and founder of a dance space that lifts up the work of others.
“Emerging from the human psyche and showing characteristics of abstract expressionism, minimalism and Russian constructivism, graffiti removal has secured its place in the history of modern art while being created by artists who are unconscious of their artistic achievements.” – The Subconscious Art of Graffiti Removal
“We see on our shelves, in Handsome Volumes, the Works of old Authors who lived and wrote before the invention of printing; but how few of us ask ourselves the questions: Where are the originals of which these books are the copies? And what authority have we for the genuineness of the text?” – William Forsyth
Neon. Flowers waiting in an ice bucket. A swan made from your bath towel to greet you. Mary Grace Tate captures the landscape of life we take for granted, transforming each space she enters into an appreciation of the hidden lines around us every day.
Richard Petrucci is something of a landscaper. Or rather, an archivist of landscapes. Petrucci’s work throughout the Sierra Nevada College MFA-Interdisciplinary Arts program has focused on the human management of our appreciation of nature. As Christopher Thacker writes in The History of Gardens, the first gardens were likely discoveries — “…such spots are the gardens of the gods, or of those favoured by the gods, so that they need do no work to keep the place in order.” Petrucci’s work explores this question then, exploring our enjoyment of nature, and the notion of “enjoyment” itself as a product of our time.
Karen Krolak is deeply concerned with pathways. A choreographer at heart, her work winds its way through life’s processes, bringing the audience to sets of instruction and action that result in revelations both in her work and in the participants. Read More
Monday, September 19
Berman Room, Fromm Hall,
University of San Francisco
6:00-7:30pm
Current MFA-IA candidate, Aaron Czerny will be presenting at the University of San Francisco today. His current work focuses on themes of communication, migration and translation to interpret and transgress boundaries in the Anthropocene. Read More
![Low-Residency MFA in Interdisciplinary Arts [MFA-IA]](https://interdisciplinaryarts.org/files/2020/12/mfaia.png)
